The highlight of the year in writing and illustrating for children is the Children’s and Young Adults’ Writers and Illustrators Conference held in conjunction with the Brisbane Writers Festival. It was at my first CYA conference three years ago that I fell in love with the industry and its people. Children’s writers and illustrators are a passionate, inclusive group who welcome and support new and emerging writers. Now in its fourth year the conference is a sell out success and draws award-winning speakers and workshop convenors from across Australia and internationally. Every year I am rewarded with rich learning and networking experiences and along the way I have made some treasured friends.
At 8.25am I slipped into a seat in the auditorium, looking forward to Jackie French’s key note speech. Our MC for the morning, Anita Bell, began by announcing the winners of the CYA writing and illustrating competition. I had entered in two categories, but did not expect a prize. When my name was called as the winner of 3rd prize in the Illustrated Picture Book and Graphic Novel category, tears began to sting my eyes. Somehow I fumbled my way to the front and accepted my award. Paul Collins of Ford Street Publishing had chosen my illustrated picture book ‘Chee Chee and Mia’ as the 3rd prize winner. WOO HOO!! That meant so much.
‘Chee Chee and Mia’ tells the story of a little girl’s love for her chicken Chee Chee (she can’t say chicken). Mia loves to hug Chee Chee, take her on the swing and push her around in the doll’s pram. But while Chee Chee tolerates all this attention, she is not all that pleased. The illustrations were worked in watercolour and coloured pencil.
My first workshop for the day was Jackie French’s master class. Her advice was hard hitting and to the point and her pearls of wisdom included:
“A good idea for a book is not enough; you need thousands of good ideas.”
“Quite good is never going to be good enough.”
“Be intellectually honest about your writing.”
“It takes longer for genius to be published than the very good.”
Together we brainstormed a story outline for ‘The Last Zoo’, set in Antarctica. Jackie had us smelling the ice and hearing the muttering of monkeys. She emphasised that each word must be specific and value laden and each character needs to be individual with their own characteristics and quirks.
Jackie believes ideas are more important than the quality of writing – you can always re-write. And writers need to be self-centred enough to spend time on themselves and their writing. This was good advice for me as self doubt and guilt are my two very good friends. But while I may doubt my writing, I seriously do enjoy re-writing.
A 15 minute pitch with Leonie Tyle of Woolshed Press (Random House) was the most rewarding experience of the day for me. I have taken on board her advice regarding my manuscript and in those few moments learned a great deal about some subtle aspects of ‘telling’ that still sneak their way into my writing.
My first workshop for the day was Jackie French’s master class. Her advice was hard hitting and to the point and her pearls of wisdom included:
“A good idea for a book is not enough; you need thousands of good ideas.”
“Quite good is never going to be good enough.”
“Be intellectually honest about your writing.”
“It takes longer for genius to be published than the very good.”
Together we brainstormed a story outline for ‘The Last Zoo’, set in Antarctica. Jackie had us smelling the ice and hearing the muttering of monkeys. She emphasised that each word must be specific and value laden and each character needs to be individual with their own characteristics and quirks.
Jackie believes ideas are more important than the quality of writing – you can always re-write. And writers need to be self-centred enough to spend time on themselves and their writing. This was good advice for me as self doubt and guilt are my two very good friends. But while I may doubt my writing, I seriously do enjoy re-writing.
A 15 minute pitch with Leonie Tyle of Woolshed Press (Random House) was the most rewarding experience of the day for me. I have taken on board her advice regarding my manuscript and in those few moments learned a great deal about some subtle aspects of ‘telling’ that still sneak their way into my writing.
In Meredith Costain’s ‘Constructing a Picture Book’ class she stressed that a good picture book must:
Resonate emotionally with the reader.
Have heart.
Tell an important story the reader can find meaning in.
Beg to be read over and over again.
This is very true of the favourite picture books I have in my collection. In groups of four we then brainstormed ideas for a story and amidst great laughter my group presented our version of ‘Grandma’s False Teeth’ to the audience.
Peter Carnavas’ master class ‘Illustrate a Picture Book’ took us inside the world of the professional illustrator. Peter led us sequentially step by step through the stages of illustration and story development, workshopping with us all the way:
Narrative structure and developing characters.
Finding the balance between words and pictures.
Developing a storyboard.
The session was valuable for the insight to Peter’s methods, for the hands on experience and the sharing of ideas with other illustrators in the room.
Among other things I learned a picture book is structured in three ‘Acts’ – a problem, a journey to solve the problem and a solution. Within Act 2 there is often a ‘blue page’ when all appears lost and the problem seems insurmountable. This week I have been re-working my picture book structures and have included where possible a ‘blue page’. Thanks Peter.
The CYA has been and gone. It was without a doubt the best one yet. Tina Clarke and Ally Howard have once again managed to seamlessly present the conference of the year. Their hard work and commitment is greatly appreciated and I thank them. I also thank the many friends who congratulated me on my award and who have supported me with their kind words. The life of a writer/illustrator is not a lonely one.
Resonate emotionally with the reader.
Have heart.
Tell an important story the reader can find meaning in.
Beg to be read over and over again.
This is very true of the favourite picture books I have in my collection. In groups of four we then brainstormed ideas for a story and amidst great laughter my group presented our version of ‘Grandma’s False Teeth’ to the audience.
Peter Carnavas’ master class ‘Illustrate a Picture Book’ took us inside the world of the professional illustrator. Peter led us sequentially step by step through the stages of illustration and story development, workshopping with us all the way:
Narrative structure and developing characters.
Finding the balance between words and pictures.
Developing a storyboard.
The session was valuable for the insight to Peter’s methods, for the hands on experience and the sharing of ideas with other illustrators in the room.
Among other things I learned a picture book is structured in three ‘Acts’ – a problem, a journey to solve the problem and a solution. Within Act 2 there is often a ‘blue page’ when all appears lost and the problem seems insurmountable. This week I have been re-working my picture book structures and have included where possible a ‘blue page’. Thanks Peter.
The CYA has been and gone. It was without a doubt the best one yet. Tina Clarke and Ally Howard have once again managed to seamlessly present the conference of the year. Their hard work and commitment is greatly appreciated and I thank them. I also thank the many friends who congratulated me on my award and who have supported me with their kind words. The life of a writer/illustrator is not a lonely one.
16 comments:
Hi Angela,
Great post. After a whirlwind week away , your post brought back the CYA conference to me again and fired me up to get back into things again. Peter's workshop sounds fantastic. Hope he turns up again next year for CYA - I will definitely sign up. Congrats on the win. Your illustrations are stunning.
Angela, you so deserved that competition placing. It still makes me smile the thought of you sitting there completely unaware! Your illustrations are just gorgeous - I love the humour in the fact that Mia is so delightfully unaware of Chee Chee's reactions!
Like you, just the other day I was reflecting on the fact that people always say writer's lives are isolated. I don't feel that way at all, and know I couldn't have grown the way I have without you all :)
Katherine
Great post Angela, particularly for those of us who would have liked to have joined you there.
Congratulations again on your placing. Lovely to see the pics. Poor chook!! My son had a similar relationship with one of our pet chooks, although it was limited mostly to sitting and cuddling her. She showed the same forbearance as Chee Chee.
Claire
Loved your post Angela - and I just love Chee Chee and Mia. It's such a 'real' story for little kids - I'm sure there are lots of parents who can relate to when they were kids and dragged around a pet.
A well deserved award. It was so great to catch up with you at the conference:-)
Congratulations again, hope to see Chee Chee and Mia on the bookshelves sometime soon.
Dee
Thanks everyone. There was so much to say about the CYA I could've doubled the amount I wrote. Chee Chee is a real chicken and Mia is my sister's daughter. She never actually took the chicken on the swing until she saw my illustrations of her doing so. Apparently Chee Chee coped ok, but she wasn't too keen on the pram.
Congratulations, Angela. A well-deserved prize!
Thanks for all the insights from the conference. I'd have loved to have heard Jackie French speak.
Thanks, Kate.
I believe the CYA website has handouts from the guest speakers to download. I'm just off to have a look.
Well Angela,
Haven't you been The Dark Horse!!
Congrats with all your successes.
Your illustrations are breathtaking!!
I Wish you the VERY best with all the opportunities coming your way.
Lovely to chat at CYA.
Cheers,
Karen Tyrrell:))
I'm most impressed by your pics, Angela. I can write, but illustration is forever out of my reach. Let us know about Chee Chee's progress. I have a grandson due in December... and guess which little boy is going to be gifted with the cream of new Australian picture books?
Congratulations! The pictures are lovely and I'm sure the book will be too.
Hey Angela.... Beautiful, gorgeous vibrant images. great to see you have a blog. I'll dog ear it (or is that ear mark? something to do with ears anyway isn't it??).
Take care,
Aaron.
Thank you Wendy, Karen, Sally and Aaron.
Aaron. I think it's bookmark. I intend posting more frequently and was just over at your blog a couple of days ago. Whenever I have a question about illustrating I usually find the answer there, I just love your work.
Sally, what an honour it would be to have your grandson reading my book. :)
Again, a big congratulations, Angela! I can feel your tingles of joy and excitement for the whole CYA conference. we can learn so much all of the time and you're right - the wonderful children's writing/illustrating arena is the best kept secret around! Aren't we lucky?!
Congratulation, Angela, I'm so happy for you. I love the expressions you gave to Chee Chee and your illustrations are so lovely and funny at the same time! Well done.
Hey Angela
A beautiful wrap up of CYA, and its our pleasure to put it on and see how everyone progresses from year to year.
re Hand outs - a few days too early to look for them just yet ... they are coming though. We will announce it when they are up - promise!
CYA later!
Tina
www.tinamclark.com
www.cyaconference.com
Congratulations Angela! You are very deserving - such a great talented writer and artist!
Love Marion x
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