It's an exciting day on the blog! A blog tour and... one lucky reader will win a copy of today's book.
With ANZAC Day just a month away today's blog tour book
'Do Not Forget Australia' (Walker Books Australia) is the perfect choice for a home or school library. Author Sally Murphy and illustrator
Sonia Kretschmar have been 'on tour' on blogs all over Australia, talking about the development, creation and inspiration behind this heart-warming picture book set during World War One in two towns a world apart; Villers-Bretonneux in France and Melbourne in Australia.
It is also the story of two little boys (Henri in Villers-Bretonneux and Billy in Melbourne), each missing their soldier father. While Billy is reluctant to attend school in Australia, Henri's school in France has been devastated by the encroaching war,
"It was as if a giant had squeezed the schoolhouse in its hand and scattered the splintered remains."
Today we are honoured to host award-winning illustrator,
Sonia Kretschmar. I've asked Sonia if she would chat to us about how she progressed from initial sketches to final illustration for 'Do Not Forget Australia'.
Sonia has been kind enough to give us a preview peek at not only her final artwork for the page where little Henri and his mother stand in the schoolyard in front of the ruined school, but also the lead up rough sketches for this double page spread. How lucky are we!
Welcome Sonia to Under The Apple Tree.
Sonia: From the initial roughs I created, which
were very much single scene pages, it was apparent from early on that the whole
approach needed to be a lot more atmospheric and “filmic”. In the sample shown below,
I firstly tried to compare the overwhelming nature of the devastation Henri and
his mother faced with an emotional closeup, when it quickly became apparent
that it worked much more effectively to simply have the characters surrounded by
their environment. The body language of the pair needed to be tweaked to be
read easily, but once the initial leap was made, the development of this
spread was fairly straight forward.
For an experienced illustrator like you, Sonia, it might be straight forward, but, for those blog readers who are viewing the final illustration, the composition of the double spread is also worth noting. The careful placement of mother and son as focal point and the balance of light and dark are brilliant. Sonia deftly leads the viewer's eye from the white smoke pointing to the schoolhouse, around the curved form of the old woman and down her arm to her hand, where finally two sticks point back towards the mother and son. Perfect.
The story is told from two perspectives; Henri and Billy's. I was wondering, Sonia, what was your initial approach to the visual telling, and how did you decide on the medium used?
Sonia: The story is told concurrently, with scenes
from both Australia and France during WW1, so I decided early on to use
contrasting palettes – bright and warm for Australia, muted tones for France –
to help differentiate between the two.
I chose the medium – Acrylic on paper and
Photoshop - to give a sense of personality and warmth through texture, as well
as to give me a greater sense of control within the finished art phase. All up,
I think it took about six months from developing roughs to final art.
The 15 double page illustrations within 'Do Not Forget Australia' successfully evoke the mood and time of World War One. What was your process for gathering ideas and what influenced your artwork for this book?
Sonia: To get a sense of place and history I
perused a lot of websites devoted to French historical postcards, I also took a
couple of “tours” of contemporary
Villers Bretonneux (the village where the French portion of the story is set)
courtesy of Google Street View. The Australian War Museum also has a great
collection of images from the time, including the work of artists working on
the battlefront. I was not that familiar with Army uniforms and paraphanalia,
so it was very interesting to learn more about it all.
Research certainly is one of the most fascinating and rewarding areas of creating children's books. Thank you, Sonia, for sharing your time and creative processes with us today and good luck with tomorrow, the final day of the blog tour with
Lorraine Marwood. It was lovely to have you visit Under The Apple Tree.
That was a fascinating insight to the planning and creative thought behind picture book illustration from
Sonia Kretschmar.
I'm looking forward to your thoughts, so please leave a comment below and you will go in the draw to win a copy of 'Do Not Forget Australia'!
Good luck!
The 'Do Not Forget Australia' blog tour is below (You can still visit any of these tour days)
