Wednesday, March 12, 2014

A New Friend for Marmalade Blog Tour

Illustrator Heath McKenzie is visiting! 

We're celebrating the release of A New Friend for Marmalade, the sequel to the hugely successful ‘A Year with Marmalade’ by author Alison Reynolds. Heath and Alison's new picture book together revisits best friends Ella and Maddy and sweet little Marmalade, their ginger tabby. I'm really looking forward to hearing all about it.

Also before we start, there are some terrific prizes to win on this blog tour. Details at the bottom of this post.

Hi Heath.
You’re now a regular here ‘Under the Apple Tree’ so I thought I’d give you your own virtual coffee mug for when you visit. Grab a spot on the rug and let’s enjoy the warm rays of autumn sun. At least it’s sunny here today on the Gold Coast.
Congratulations once again on another terrific collaboration with the fabulous author Alison Reynolds. 
The Five Mile Press
How much harder or easier was it working on a book where you already knew the characters, style and book design? Did you make the decisions of where the page turns would be? And where the beautiful typography would be placed? I remember last time you had to work within the words.
Hi Angela.
Each book tends to present it's own challenges so while on the one hand, having now designed all but one of the characters, things like that were no longer an issue - however, returning to an established illustration style can be tricky as I need to get back into that mindset and way of working...and sometimes I may've found ways to improve on a technique I'd used in the past but have to revert to an older way to be in line with the series - as was the case with Marmalade! Plus, given this story largely happens in the one location, finding consistent ways to maintain the line art/sparse colour style without getting too repetitive is a challenge.

Concept sketch for the front cover

I'd never thought of that. Of course ‘A New Friend for Marmalade’ introduces the new character Toby to the tightly bound friendship group. Toby’s enthusiasm to be part of the fun is adorable, even if he does inadvertently cause the story conflict. Did the decision to begin the story immediately within the sandpit evolve after reading the text or after first roughing out a storyboard? 
I guess stories I'm given to illustrate always evolve after reading the text as that is where it all begins - and ideas tend to (hopefully!) start flowing as I read. So this definitely began evolving whilst reading the story...particularly with an awareness of the established world and being conscious of figuring out how best to work within that.

When Toby asks to join the cubby house play on the second page spread I notice two things: he is scooting in the opposite direction to natural page flow; and his associated colours are red (cape) and blue (scooter). Were these conscious  colour choices? As a visual reader this tells me something is about to happen to the girls’ pink cubby set-up. And it does!

Good question! I think he really only became red and blue to provide a nice colour balance against the sandpit and tree...the blanket, from memory came in a little later. The red and blue was not a conscious decision...and as for the pink blanket - I'm always hesitant to apply pink to girl situations however, there are logical times and places!

Yes, and it's complementary to the green tree foliage too.

Rough sketch and layering of artwork combined

As for going against natural page flow - I guess I figured it still flowed in the correct direction given we start on the girls before moving across to see Toby enter. I'm often working oblivious to various general rules of layout! Then on occasion, an editor will make me switch things about!

“Ella shrugged and Maddy sighed… Marmalade peeped out in surprise.”

Final artwork
The text is beautifully spare, allowing room for what I call ‘Illustrator Licence’ – space to imagine. Your illustrated juxtapositioning of gentle girl activities (building a pink cubby, decorating the sandcastle city with flowers) versus boisterous boy antics (scooting and cartwheeling through the middle of it all) reminds me of my childhood growing up on the orchard surrounded by an older brother and too many boy cousins. I could really feel the girls’ frustrations!
What made you decide Toby’s efforts to play would interfere with the girls right from the start? Did you base Toby on anyone you know?
From memory, this was all borne out of discussion with the editor and possibly thoughts from Alison as well. Plus, given as the story unfolds, Toby ultimately proves to be a valuable member of the group, to have him seem anything but earlier on helps add a little extra punch to the conclusion. 
In all honesty, Toby's actually based on the girls, oddly enough!! I always try to maintain everyone's look within a particular world so that they all look like they belong together so to speak, not necessarily in a hereditary family sense but just in keeping with the look of the 'world' as it were. So I designed Toby largely from cues picked up in the original designs of the girls! There are many times where characters have been based on actual people but not this time!

Alternative concept sketch for cover
For me, the characters’ expressions throughout the story are priceless! The sprinklers page is my favourite (my brother would’ve done that sort of thing on purpose) and Ella’s face when Toby turns on the tap cracked me up. This strength of expression through the characters’ eyes, mouths and hands heightens the drama and emotions of the story. Heath, (personal question, I know) do you use a mirror to capture these facial responses? What is your secret for nailing each emotion time and again?

There was a time when I had a mirror on hand! However, it's actually been quite a long time since I've used one! I do find I'm often aware that I'm inadvertently making a particular face while I'm drawing it sometimes - which would be entertaining for anyone wandering in at the time!

Alternative concept sketch for cover
Ha ha, I'd love to see that!
I belong to a group of illustrators who meet once a month in Brisbane - Brisbane Illustrators Group. Many of them will be reading this post. Do you have any advice for them? What are your favourite mediums/tools of the trade? Which Wacom do you recommend?

Really, the simplest advice is often best - just keep at it! I've never perfected illustrating and I doubt I ever will. It's really the journey that counts as I try new styles and little techniques; some stay, some go, but it's a constant evolution!

My favourite medium is freehand digital drawing - Corel Painter and a touch of Photoshop works for me! I do enjoy the feel of traditional real tools, but within the computer there's still plenty of skill and experimentation going on with every drawing. 
As for a choice of Wacom tablet - I use an Intuous model, but I don't think they've made a bad one yet so whichever suits is the way to go!

Thanks so much, Heath, for popping by again and answering more of my tricky questions. I've loved seeing your process of creation from roughs to finished artwork. I always learn something new from your visit. Below you've been kind enough to also share the United States version of the book cover. It is so very different. I guess they wanted to keep Toby's face hidden.

It was great to be here, Angela.

United States Cover Version

A New Friend for Marmalade Blog Tour Schedule
11th Dee White – review and post
12th Angela Sunde – interview with Heath
12th KBR – book giveaway
13th Boomerang Books – Post with Dimity Powell
14th KBR Guest post
14th Sally Murphy – Meet my book
15th Buzz Words – Interview
17th Ask the Bean Counter – Mr X
17th Pass-it-on Post and Review- Jackie Hosking
18th Ask the Publisher – Kay Scarlett


Pet Contest for all Ages!
Marmalade the cat is full of personality. Do you have a pet with personality? Win a piece of artwork by Heath McKenzie. Send along a photo of your personality-plus pet to or upload to

Random book giveaways!
Just leave a comment on one of the posts in the blog tour, comment on Facebook or even email Alison Reynolds that you want to enter the competition to win A New Friend for Marmalade.

Prizes for writers!
Win a 'jump the slush pile' pass with a children’s editor or an adult non-fiction editor. Just put CB if you want to enter in the children’s editor competition or NF if you want to be in the adult non-fiction competition. You can enter by commenting on this post or any other post on the tour.

Or you can win a picture book assessment from author Alison Reynolds, or the first chapter of a chapter book assessment with mentor/author Dee White. Just put PB after your comment, if you want to be in the picture book assessment competition and DW if you want to be in the chapter book assessment comp. 

If you want to enter all the comps, you can always put them all down like this: CB, NF, PB, DW.

Remember the more you comment the more chances you have to win!

Monday, March 10, 2014

Creative Challenges

There's a lot happening on Facebook besides the usual petition signing and cat video sharing. For the creatives amongst us Facebook is a place of connection, a place where writers, illustrators and artists can meet, share and inspire each other.

You may remember I convene the Monday Writing Sprint on Facebook. It's been running (pun intended) for three years now and the regulars who show up every week for an hour of non-stop scribbling swear it jumps starts their writing week and creative flow. At the very least it's a reminder to pop our bums on a seat and write.

But that's not the only group I belong to on Facebook. I'm also an active member of the Brisbane Illustrators Group which meets once a month at the Collectors' Cafe at the Museum. We share news, tips and play illustration games. At more serious times we hold exhibitions of our work and have a showcase website.

Then recently my writer friend Tania McCartney began the 52 Week Illustration Challenge group with a set theme for each week of the year. #illo52weeks We're now up to Week 10 - Pattern -  and the illustrations being posted onto the group are so diverse and inspiring that I have to be careful not to lose myself (and time).

Here's my quick watercolour from Week 6 - Machinery

Lastly, a brand new group for writers has popped up on Facebook - the 38 Week Flash Fiction Challenge, run by the energy-packed Sheryl Gwyther. It's only about 24 hours old, but already three stories are up, all on the first week's theme - Frog. After writing a short novel with a strong froggy theme, I thought I didn't have any more amphibian stories in me, but today I posted one to the group. I thought I'd share it here with you also. Pop over to the challenge to read some others.

Here is my 'frog-themed' flash fiction story:

The Email

What did he mean, choose which one I want?

Meg clicked on the image and waited for it to download. A close-up of a bookshelf filled with frogs appeared on the screen - plastic, brass and ceramic frogs, lying, hopping and doing handstands.

Shaken, Meg bit her lip and breathed in deeply through her nose. She could pick out the place and time she had bought each one: a flirtatious weekend in Adelaide, a trash and treasure day at school, the Potter’s Barn at her local markets. Each one a reminder, each one lovingly chosen and wrapped in bubble wrap before the short walk to the post office.

She had even had trouble convincing her mother-in-law she didn't actually collect frogs.
'But you have a whole selection of them.'
‘Yes, but… it's a joke, a private thing, between Lisa and me.
The puzzled look.
'Okay, thank you. The frog tea towel is perfect! It'll go with the calendar you gave us for Christmas so well.’

Then Meg noticed it.

Tucked in behind a skiing frog in a santa hat, a faded greeting card, its surface speckled by yellow mould spots, leant against the back of the shelf. She had kept it all these years? The card with a frog in a beret and a cravat. The card she had sent Lisa from Paris in the days when they were both still young and single and living a world away from each other on either side of the world. The card that had started it all.

Meg shut her eyes as familiar tears welled. The words inside she knew by heart. They'd laughed about them often. It was their little in joke, the whole reason the frog gifts had been exchanged in the first place, the whole reason Lisa had nicknamed Meg’s husband Kermit. A silly frog card - ‘You have to kiss a lot of toads before you meet the handsome prince’. Kev was a prince for sure, but Lisa's had turned out to be a toad.

And now she’s gone and he wants me to choose just one.

Meg clicked, then paused as her finger hovered over the ‘block sender’ button.

© Angela Sunde

Monday, February 17, 2014

After Lights Out

Did you ever read after lights out as a kid? Recently I came across a guest post I did on The Alphabet Soup Blog a little while ago and thought I might share it with you here. Let me know in the comments below if you ever read books or comics after lights out. Mum always threatened to throw away our comics, but never did...
As a child I was a little scared of the dark. It’s not surprising really. You see, after lights out, when Mum and Dad were watching TV in the lounge room, my brother would slither into my room on his stomach and pop his head up next to my bed with a wicked grin. Then, when my face was as pale as the flannelette sheets tucked under my chin, he would point to the top cupboard above my wardrobe doors (a cupboard I was too small to have ever seen inside) and tell me “A witch lives in there”.
After many interruptions to their evening viewing, Mum and Dad replaced a light bulb on the wall above my bed with a red globe. It was warm and soothing and I could easily see my brother’s bottom as it slunk into the room, sticking up in the air like a shark’s fin (enter Jaws music here).
brother and sister in an apple bin
What the red light globe also allowed me was the pleasure of reading in bed. Every book and comic had a red tinge, but I could read for hours and fall asleep with adventures and words spinning through my head. Mum knew of course. The pile of reading material under my bed must have been a sure giveaway. She warned me I would damage my eyesight and I promised the red light was only there to keep away my fears, not to read.
That was a lie.
I devoured every book in the school library and my cousin’s collection of Enid Blyton’s ‘Famous Five’. A trip to the shops meant a detour to the bookstore, where I purchased the classics: Little Women, Black Beauty, What Katy Did, Heidi, My Friend Flicka and Thunderhead, and read them all by the red light of my room.
A favourite of mine was Betsy in Spite of Herself by Maud Hart Lovelace, the adventures of a young teen in 1907. But my large volume of ‘The Works of Lewis Carroll’ took pride of place on my bookshelf. The illustrations by John Tenniel had me in raptures and one year a friend and I went to a fancy dress party as Tweedledum and Tweedledee.
I never owned a picture book and coveted my cousin’s Green Eggs and Ham. Nowadays if I were caught reading after lights out, it would either be a picture book or a mid grade/YA novel. Adult fiction doesn’t excite me, even though I joined a book club to force myself to read it. It seems the young reader in me is still alive, tucked up in a flannelette sheet, reading under a red light.

Monday, November 18, 2013

Bailey Beats the Blah Blog Tour

A must have for every classroom library, Bailey Beats the Blah is an empowering mental health picture book for children 4-8 years, spring-boarding emotional awareness and action plans to help lift a child’s mood.
Aligned with the Kids Matter program on the National Education Curriculum and supported by counselling service, Kids Helpline, Bailey Beats the Blah features self-esteem and resilience skills for children, families, teachers, parents and counsellors.

What's more, 5% of book proceeds will be donated to Kids Helpline - 24/7 support and counselling for young people - now that's a win/win!

WIN a copy! - details below.

ISBN: 9780987274045 - Digital Future Press
Bailey Beats the Blah is available from Amazon.
by author Karen Tyrrell - illustrated by Aaron Pocock

Bailey hates his new school. His tummy aches. He has no friends.
His dog Fuzzy slobbers all over him. BLAH!
How can Bailey change his BLAH to HA-HA-HA?

This is the final stop in the Bailey Beats the Blah blog tour and after a whirlwind schedule, author Karen Tyrrell has popped in to Under the Apple Tree to answer four quick questions on the process she undertook for commissioning talented illustrator, Aaron Pocock, for her first children's picture book, Bailey Beats the Blah

Hi Karen and welcome, 
As this was your first experience working with an illustrator, how did you and Aaron first initiate the illustrative process for Bailey Beats the Blah?

Hi Angela, I sent Aaron the manuscript for Bailey Beats the Blah with detailed suggestions for his drawings, plus the characters' emotions and details that weren’t in the text.

This must have been an interesting and exciting creative process for you as a writer. Can you describe the development of each picture?

Aaron created a sketch for each page. I later checked these, making suggestions of what extra details I wanted added, concentrating on the emotional and body language.  Aaron added these more details until I was satisfied with the black inks. Then Aaron added vibrant colours. Aaron sent these back for final tweaking and approval.

I love the samples you've shared with us below. Aaron's characters are full of emotion and movement. I can just imagine the dog Fuzzy's confusion and Bailey's annoyance at all his slobber. Wonderful!
At what stage did you know the pictures were ready for publishing? It must be difficult to determine this.

When the illustrations could not be improved any more, Aaron added his own unique personality and humour to the illustrations: the mouse marching with a school bag on his back; a crow clutching onto the bus stop sign.

Yes, great illustrators like Aaron are so adept at adding a sub-plot through these little additions. It all adds more for the readers to enjoy.

Finally, Karen, how did you and Anthony Puttee, the cover designer, develop the cover for Bailey Beats the Blah?

I requested Aaron illustrate a specific cover picture of a miserable Bailey with doting, loveable Fuzzy the dog. Anthony of Book Cover Café transformed this pic into a cover design, adding eye-catching colourful fonts, a purple background and ground shadows.
Anthony finally added the words BLAH in a unique red font.

Fabulous! The cover is definitely eye-catching. Thanks for stopping in, Karen, and congratulations on the release of Bailey Beats the Blah.

WIN:  Copies of BaileyBeats the Blah, a signed Bailey artwork by illustrator Aaron Pocock and a picture book assessment with chief editor at Book Cover Café.
Simply leave a comment on any of the 16 hops on the Bailey Beats the Blah tour  (see below) Nov 3rd -18th. The more comments you leave the MORE chances to WIN.
WINNERS announced on Nov 20th at www.

Karen Tyrrell is a Brisbane award-winning author of three mental health books for adults and children, an experienced senior teacher, accredited speaker and dynamic creative writing and Resilience Training workshop presenter.

Download FREE children's activities and FREE teacher notes from

Bailey Blog Tour & Book Giveaway